Edward Hopper built his paintings around light. “I like long shadows and early and late sunlight. I am very much interested in light, and particularly sunlight, trying to paint sunlight without eliminating the form under it, if I can.” The four paintings presented in this box of notecards are among his most well known and exemplify the painter’s keen sensibility to interiors infused with atmospheric light, both bright and subtle. Contains five each of the following notecards: Room in Brooklyn, 1932 Chop Suey, 1929 Room in New York, 1932 Western Motel, 1957

• 20 blank notecards (5 each of 4 designs) with envelopes in a decorative box
• Printed in full color on recycled paper with soy based inks
• High-quality 250 gsm card stock
• Soft white envelopes
• Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the world

Box size: 5.375 x 7.375 x 1.5 in.
Card size: 5 x 7 in.

ISBN 9780764941276

Edward Hopper

Edward Hopper’s distinctive oil paintings convey subtle emotion sometimes construed as loneliness. Often, a single figure populates a scene, imparting a sense of silence. (Hopper himself did not talk much. A friend of his reported, “Hopper had no small talk; he was famous for his monumental silences.”) Still, Hopper (American, 1882–1967) maintained that his interest lay in capturing light rather than conveying a mood. Among his influences were the Ashcan School of gritty realism and Impressionism, whose use of outdoor light he admired. Hopper sold his first piece at the 1913 Armory Show. Ten years passed before he sold another, but in the following year, when he exhibited at a New York gallery, his work sold out and established his reputation. For most of his roughly 60-year career, Hopper divided his time between New York and New England. He is recognized as one of the 20th century’s greatest realists.