Alphonse Mucha’s poster for Sarah Bernhardt’s 1894 production of Gismonda thrust the young Czechoslovakian painter into the forefront of the Art Nouveau movement. For the next five years he designed posters for nearly all of Bernhardt’s new productions, as well as posters for other clients. With their flowing design and subtle, sumptuous colors, Mucha’s posters are among the most elegant products of the Art Nouveau era. This book of postcards presents 30 of his loveliest designs.

30 color reproductions bound in a handy postcard collection

• Mail the postcards, or keep the book for your own collection
• Decorate your office or dorm room with a wall of images
• Informative introductory text
• Backs of postcards offer enough room for short messages
• Perforated for easy removal
• Oversized postcards may require additional postage
• Pomegranate’s books of postcards feature exclusive selections of art from museums and artists around the world

Book: 6.875 x 4.75 x .375 in.
Postcard: 6.5 x 4.75 in.

ISBN 9780876543672

Alphonse Mucha

In December 1894, Alphonse Mucha (Czech, 1860–1939) launched Art Nouveau as a graphic form. He did so under pressure: actress Sarah Bernhardt had commissioned a poster for a new play and gave Mucha less than a week to have it designed, printed, and on the street. His resulting Gismonda poster was executed in a groundbreaking decorative style featuring sinuous lines, natural forms, and women in stylish, flowing attire. The world greeted it with delight. Famous overnight, the artist worked prolifically in his self-invented genre, enjoying huge commercial success without, somehow, ever getting rich. Countless posters (for exhibitions, Champagne, soap, bicycles, and cigarettes) followed, as did magazine covers, books (both written and illustrated), postage stamps, postcards, and even bank notes for his beloved Czechoslovakia.