Schooled in French Impressionism and filled with national pride, a small community of artists came together in 1920 to form the Group of Seven, whose objective was to produce distinctly Canadian imagery. The impetus for this association was Lawren S. Harris, who firmly believed in the need for a national art movement. Harris painted the Canadian landscape with enthusiasm, capturing the majesty of its wilderness and its inherent spirituality. The mystical quality of his works sets them apart from those of the other Group of Seven members. Contains five each of the following images: Montreal River, c. 1920 Pic Island, c. 1924 Mt. Lefroy, 1930 North Shore, Lake Superior, 1926

• 20 blank notecards (5 each of 4 designs) with envelopes in a decorative box
• Printed in full color on recycled paper with soy based inks
• High-quality 250 gsm card stock
• Soft white envelopes
• Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the world

Published with the McMichael Canadian Art Collection

Box size: 7.375 x 5.375 x 1.5 in.
Card size: 7 x 5 in.

ISBN 9781087503424

Lawren S. Harris

Lawren S. Harris (Canadian, 1885–1970), who firmly believed in the need for a Canadian national art movement, was the impetus behind and cofounder of the Group of Seven. Filled with national pride, he and the Group painted the Canadian landscape with enthusiasm, capturing the majesty of its wilderness. Over the course of his career, Harris’s Impressionism-influenced landscapes evolved to streamlined representation and then to geometric abstraction. The mystical quality of his works reflects his deep interest in theosophy. “Art,” as Harris wrote in 1924, “is the beginning of vision into the realm of eternal life.” Harris ultimately settled in Vancouver, British Columbia, where for 30 years he was an important painter and personage in Canadian arts organizations.