- Provides an intimate portrait of Edward Gorey, a man often mischaracterized as macabre. Here he shows himself to be gentle, humble, and brilliant—as well as hilarious.
- Includes Gorey’s colorfully illustrated envelopes, as well as sketches for books, finished illustrations, and original manuscripts.
- “A wondrous trove of letters and sketches between Edward Gorey and Peter F. Neumeyer connect the Floating Worlds of these inspired collaborators; enchanting and witty and sparkling with intellectual banter, the book illustrates their artistic process and stands as a moving memoir of friendship.” —Vanity Fair
- “No Gorey fan will be able to resist this collection, but it's difficult to imagine anyone would be immune to its verbal charms.” —Wall Street Journal
- “As much a powerful personal memoir of an unusual friendship as it is a priceless cultural treasure containing the spirit and legacy of one of the twentieth-century’s most unique, influential and prolific creators.” —Brain Pickings
- One of Publishers Weekly's Top 10 Books for Fall 2011 (Literary Essays & Criticism category)
“You know far more about me than anyone else in the world." —Edward Gorey to Peter Neumeyer, 1968
Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate Donald and the . . .
, a children’s story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey’s shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey’s drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969.
Those letters, published here for the first time, are remarkable for their quantity and their content. While the creative collaborations of Gorey and Neumeyer centered on children’s books, they held wide-ranging interests; both were erudite, voracious readers, and they sent each other many volumes. Through their discussions of these books, one marvels at the beauty of thoughtful (and merry) discourse driven by intellectual curiosity.
The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterized as macabre or even ghoulish. His gentleness, humility, and brilliance—interwoven with his distinctive humor—shine in each letter; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer, thirty-eight of which are reproduced here.
During the time of their correspondence, Peter Neumeyer was an assistant professor at Harvard University and then a professor at Stony Brook University in New York. His acumen and compassion, expressed in his discerning, often provocative missives, reveal him to be an ideal creative and intellectual ally for Gorey.
More than anything else, Floating Worlds
is the moving memoir of an extraordinary friendship. Gorey wrote that he felt that they were “part of the same family, and I don’t mean just metaphorically. I guess that even more than I think of you as a friend, I think of you as my brother.” Neumeyer stated, “Your letters . . . your existence has made something of this world that [it] hadn’t the possibility of before.”Click here to view other Edward Gorey publications